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Russian modernisation has been driven by a combination of factors and influenced by the specific cultural and geopolitical position of Russia in comparison to Europe and the world. Modernisation in Russia, beginning during the reign of Peter the Great (1682-1725), has followed a cyclical pattern that closely coincides with Rostow’s theory of modernisation. Rostow, who focuses on economic modernisation, stipulates that modernisation follows five stages: the traditional society; the preconditions for take-off; the take-off; the drive to maturity and the age of high mass consumption. (Rostow, 1990: 20) While his economic stages of modernisation act as a conceptual basis for an analysis of modernisation it is important to remember that other areas of modernisation, such as social development or military modernisation, do not necessarily coincide with particular stages of economic growth and in some circumstances these areas can progress at strikingly different pace.

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To illustrate the "Russia meets the West" theme, we have used pictures of Dior fashion show which visited Moscow in June 1959. The pictures were taken by a photographer of the Life magazine.

Furthermore, Rostow, and other theorists such as Habernas, consider modernisation to be intricately linked with the development of market capitalism and the development of political participation, yet these areas developed differently in Russia because collective ownership and strong, central authority have provided the impetus for modernisation during most cycles of modernisation. (Habernas, 1998: 2) Therefore, this analysis will seek to understand what initiated modernisation in Russia, how each cycle of modernisation created flaws that would act as impetus for the next cycle and also how these influences forced the Russian state to modernise in the specific manner that it did.

 

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